Our tradition of sorts–Mother’s Day on Medium Format.
(Look at this beautiful family I’ve been blessed with!! 😍)
…Now tell me this could have been taken on a Nikon, so I can get on with my life and stop looking at scanners!!
(Or: Analogue Noise Reduction!!)
This is -by far- the whackiest thing I have done in years.
To begin with, I would like to thank my good friend Jordan for bringing this to my attention.
There are a lot of things going on here, so let’s hop right in:
To begin with, The Producer was at a conference, so I had to style the hair and make the bun myself. That is really the main miracle here. 😂
Second, this is Portra 400 shot at ISO 1200 (Yes, a 1.5 stop push)
Finally (and probably most importantly…) this film was processed in both B&W and Colour Chemistry!!
That’s right folks: This roll was first soaked in Rodinal (1:100) for ten minutes at room temperature (without agitation) and then rinsed, and immediately processed in standard C-41 chemistry.
LOOK AT THOSE SKIN TONES PEOPLE!!!!
And the blacks are BLACK, with no hint of grainy green and purple chroma noise that often results from pushing Portra 120 even one stop.
From what I can gather, the Rodinal seems to develop the “avid” areas first (the “bright noise” if you will…) leaving a very faint B&W image, which is subsequently bleached away (due to lack of fixation) by the C-41 chemistry. It is -literally- “Analogue Noise Reduction!!” The negatives are of a lower density overall, but the shadows contain more detail, and the tones are much more homogeneous.
Definitely an area that warrants further exploration.
(Next stop: 35mm Portra 400 at 1600 and put through the Pakon…)
This was a bit of a surprise–
This is Provia 400X (E6) shot at ISO 800 (Pushed) and cross-processed (cheaper and easier) in C-41 chemistry.
Other than scanning with the Fuji NPH 400 profile, I have done nothing to it in terms of adjustment. The colors may be a bit off (overly blue…) but I am surprised at how reasonable the skin tones look.
Sure, I probably could have shot (and selected) a better portrait with the D810…but this is the one I got.
One of the things I really like about film is the uncertainty regarding the finished product. How is it going to react with the light? Which specific moment did I catch? Will it even be in focus?
(Well, not so much that last one…but the first two for sure!)