Four shots, two ways.

Briefly had a (semi) willing participant–

These are shot on two different formats, using two different lenses, on two different films–only the manufacturer is the same (Fuji).

I haven’t normalized anything beyond crop and final file size here–not aperture, not FOV, not shutter speed, not white balance, not processing.

Some were a LOT more work than others.

Is there a difference?

Is it worthwhile?  Preferences?

(I won’t reveal equipment just yet…)

Negative Lab Pro

My friend Peter says I am often hysterical, and prone to over-dramatization.

While he may be (more-or-less) correct…it is impossible for me to overstate the importance of this find (thank you Marc!)

I have gradually been losing interest in Medium Format photography, due to the effort (and risk!) involved–Generally speaking, you only get one shot…so everything had better be correct.  Unfortunately, even when focus and exposure happen to be spot-on, I have often been disappointed in the final result: The photos just don’t seem to “look” as I remember them…or even as good as the negatives themselves appear.  Unless one pays for lab development and scanning, something occasionally seems missing in the final result.

That is, until now.

Negative Lab Pro is literally like being handed a Pakon or Noritsu scanner for your 120 film.  It is as close as one can come to lab-quality colour correction at home–from something as lowly as an Epson V600!  (It obviously works for any type of scan, but I use a Pakon and a Noritsu for my 35mm film lol…)

Granted, there is some extra effort involved–The program works best with Linear RAW scans from Vuescan Professional (so you’ll need a copy of that too…but it is well-worth it) and the whole process is tad time-consuming, but I think the results speak for themselves.

I haven’t been this excited about a development…in film development (you see what I did there?) for quite some time.  Thank you Nate–I’m not sure what sort of black magic you’ve got up your sleeve here, but this program is the answer to my medium format woes.

(Tip–Make sure you check the “Make a TIFF Copy” box in final conversion, so that you can edit the resulting file normally in Lightroom without everything being “backwards”)

These are Cinestill 800T shot in a variety of settings, and effortlessly corrected in NLP 2.0

As always, I am happy to answer any questions.